Fine Art Paper Prints
This is the paper I print on, and the only one I print on. A heavyweight archival stock with a soft luster finish, made to museum standards and built to last over a hundred years.
Why luster:
- Glossy turns every print into a mirror
- Matte dulls the colors and flattens the depth
- Luster sits right in the middle. Holds the depth of the scene, keeps the colors true, stays readable from any angle in any light.
Photography is light captured on a surface, and this is the surface that lets the light come through the way I saw it. It's the same standard used by museums and serious galleries, and it's what I'd want hanging in my own home.
Premium Real Wood Frames
A bad frame kills a great photograph. A good one disappears so the work can breathe. I picked Larson-Juhl because they make the best gallery frames out there, and I chose every detail the same way I chose the paper. By trying everything else and keeping what works.
The profile:
A gallery-sleek frame with an inch-and-a-half depth. Clean enough to disappear, deep enough to give the piece real presence on the wall.
The mat:
A 2-inch archival, acid-free mat. It separates the frame from the photograph, pulls your eye into the scene, and lifts the print off the glazing for that museum feel.
The glazing:
Optically pure acrylic instead of glass. UV-resistant to protect against fading, lighter for safer shipping, and crystal clear with no green tint.
On full bleeds:
I don't do them by default. The mat is part of how I intend the work to be shown. If you'd rather have a full bleed for your space, just ask.
Limited Edition Acrylic Face Mounts
These are the pieces I make for collectors who want something rare. Each artwork is a face-mounted acrylic print, limited to 100 numbered editions, signed by hand. Once the run is done, it's done.
The process:
Every piece is produced using a museum-grade archival process approved by the Smithsonian. The image is bonded behind optically pure acrylic, which gives it remarkable depth, clarity, and color saturation that paper simply can't match.
The framing:
Pair it with a hand-finished Roma molding, available by request. Roma is the gold standard for fine art framing, and the profiles I offer are chosen to match the weight and presence of the work.
A note on price:
These aren't budget pieces. The materials, the process, and the limited nature of each edition make them an investment. They're built for collectors who want a museum-quality piece in their home and want to own a part of the work that won't exist again.
Available by request. If you're interested, reach out and we'll talk through availability, sizing, and which pieces are still open in their edition run.
